News Center – Amid ongoing political and social changes in the region, comparisons are emerging between governance systems that enforce conservative religious rhetoric and restrict individual and cultural freedoms, with some observers drawing parallels between Syria’s domestic policies and those in Afghanistan.

Despite notable differences in historical and geographical context, certain shared aspects of political and social discourse have sparked debate—particularly the Faculty of Fine Arts’ decision at Damascus University on Sunday, August 17, which has raised concerns about the future of art in Syria.

Issued by faculty dean Fouad Dahdouh, the decision bans the use of “nude models” in graduation projects across the sculpture, photography, and engraving departments. Any project depicting a nude body will automatically receive a zero grade. The directive was circulated to all departments under pressure from higher authorities.

The decision has triggered widespread controversy in Syria’s artistic and academic communities. Students and faculty criticized it as a restriction on artistic freedom, expressing concern over its impact on the quality of art education and the future of visual arts in the country.

On social media, the move was described as a “shock” that threatens the faculty’s artistic identity and could pave the way for strict censorship of creative expression.

The use of the nude body in art is essential for understanding movement, balance, and aesthetics, allowing artists to study anatomical details and develop their skills in visual expression with precision.